This book gathers key writings on choreography across the French, U.S., and international dance scenes since the turn of the century. It traces the ways in which contemporary dance has become a site for vital experiments on questions of the body, identity, belonging, knowledge economies, and globalization. This dynamic and wide-ranging collection maps the numerous exchanges between Francophone and Anglophone performance cultures and critical thought. Many of the texts included in this volume are translated into English for the first time.
