It is from the vantage point of deconstruction and reconstruction that this analysis of three novels written by three French Maghrebian writers (Assia Djebar, Sabiha Khemir and Rachida Madani) takes shape. The three women writers are contemporary, all dislocated, all culturally apart, in one sense or another, and are all in quest of a triumph (cultural or textual) that will not and cannot come to be.
