Code EAN13: 9781480329621
Auteur : RANDS BERNARD
Éditeur : SCHOTT
FANFARE FOR A FESTIVAL - ORCHESTRA. PARTITION D'ETUDE.
RANDS BERNARD
SCHOTT
Expédié sous 4 à 10 jours
PRELUDES - FOR PIANO. PIANO.
TRINITY - FOR MALE VOICES A CAPPELLA. MALE VOICES A CAPPELLA. PARTITION DE CHOEUR.
PRISM (MEMO 6B) - FOR SAXOPHONE QUARTET. SAXOPHONE QUARTET. PARTITION ET PARTIES.
EDITION SCHOTT - ...IN THE RECEDING MIST... - FLUTE, HARP, VIOLIN, VIOLA AND CELLO. PARTITION ET PAR
THREE PIECES FOR PIANO - PIANO SOLO.
EDITION SCHOTT - PRELUDE, AND "...SANS VOIX PARMI LES VOIX..." - FOR FLUTE, VIOLA, AND HARP. FLUTE,
MUSIC FOR SHOKO - AUBADE - FOR ENGLISH HORN AND STRING QUARTET. ENGLISH HORN AND STRING QUARTET. PAR
FOUR IMPROMPTUS - FOR SOLO PIANO. PIANO SOLO. PARTITION.
WALCOTT SONGS - FOR MEZZO SOPRANO AND CELLO. MEZZO-SOPRANO AND CELLO. PARTITION D'EXECUTION.
CEREMONIAL - WIND ENSEMBLE. PARTITION D'ETUDE.
TRE CANZONI SENZA PAROLE - ORCHESTRA. PARTITION D'ETUDE.
INTROIT - MIXED CHOIR. PARTITION DE CHOEUR.
QUARTET NO. 2 - STRING QUARTET. PARTITION D'ETUDE.
CANTI D'AMOR - AFTER JAMES JOYCE'S "CHAMBER MUSIC". MIXED CHOIR (SSATTBB). PARTITION DE CHOEUR.
MEMO 4 - FOR FLUTE. FLUTE.
FANFARE - BRASS QUINTET. PARTITION ET PARTIES.
CANZONI PER ORCHESTRA - ORCHESTRA. PARTITION.
LE TAMBOURIN SUITES 1 & 2 - ORCHESTRA. PARTITION D'ETUDE.
HIRAETH - CELLO AND ORCHESTRA. PARTITION D'ETUDE.
AMONG THE VOICES - FOR CHORUS AND HARP (CHORUS SCORE). CHAMBER CHOIR (SATB) AND HARP. PARTITION.
SOUND PATTERNS 1 - VOICE AND HANDS. RECUEIL DE PIECES INSTRUMENTALES.
SOUND PATTERNS 2 - VOICE, PERCUSSION AND MISC. INSTRUMENTS. RECUEIL DE PIECES INSTRUMENTALES.
SOUND PATTERNS 3 - VOICES.
SOUND PATTERNS 4 - MISC. INSTRUMENTS. RECUEIL DE PIECES INSTRUMENTALES.
BALLAD 2 - FOR FEMALE VOICE AND PIANO. RECUEIL DE PIECES INSTRUMENTALES.
CANTI LUNATICI - PARTITION.
CANTI DEL SOLE - FOR TENOR AND CHAMBER ENSEMBLE. TENOR AND CHAMBER ENSEMBLE. PARTITION D'ETUDE.
BELLS - LARGE MIXED CHORUS AND ORCHESTRA. PARTITION.
CANTI LUNATICI - SOPRANO AND CHAMBER ENSEMBLE. PARTITION D'ETUDE.
