A child-princess is married off to a husband of limited carnal appetite. Her indiscretions and na‹vet‚, scorned by elderly dowagers, are coupled with charity, joie de vivre and almost divine glamour but her life is cut brutally short. The queen of France's life is rich in emotional resonance, riddled with sexual subplots and personal tragedies, and provides fertile ground for biographers. Fraser's sizable new portrait avoids the saccharine romance of Evelyne Lever's recent Marie Antoinette, balancing empathy for the pleasure-loving queen with an awareness of the inequalities that fed revolution after all, Marie herself was fully conscious of them. Her subject shows no let-them-eat cake arrogance, but is deeply (even surprisingly) compassionate, with a "public reputation for sweetness and mercy" that is only later sullied by vituperative pamphleteers and bitter unrest. She would sometimes be trapped by ingenuousness, and later by a fatal sense of duty. Yet her graceful bearing, acquired under the tutelage of her demanding mother, the empress Maria Teresa, made her an unusually popular princess before she was scapegoated as "Madame Deficit" and much, much worse. The portrait is drawn delicately, with pleasant touches of humor (a long-awaited baby is conceived around the time of Benjamin Franklin's visit: "Perhaps the King found this first contact with the virile New World inspirational'). Fraser's approach is controlled and thoughtful, avoiding the extravagance of Alison Weir's royal biographies. Her queen is neither heroine nor villain, but a young wife and mother who, in her journey into maturity, finds herself caught in a deadly vise. Color and b&w illus. (on sale: Sept. 18) Forecast: Fraser needs no introduction to American audiences. She will come over from England for a five-city tour, and with widespreand favorable reviews, this should have no trouble making the bestseller lists. It's a BOMC, History Book Club, Literary Guild and QPB selection.
