Sarah Lucas emerged in the UK in the Iate 1980s alongside artists including Tracey Emin and Damien Hirst, gaining recognition for her irreverent sculptures and photographs. Lucas provokes viewers with works that subvert traditional notions of gender, sexuality, and identity, often using found, everyday objects. Featuring eight essays and an interview with the artist, this volume reveals the breadth and complexity of Lucas's work in sculpture, photography, and installation over the past three decades.