This volume continues the immensely popular but critically challenged series that began with 1994's The Art Book. Some 500 artists, organized alphabetically, are each given one page, which is filled by a large-format reproduction of one work, a 150-word essay, cross references to other artists, and rudimentary data on the artist and the work. For those seeking scholarly or even basic reference standards, the problems are manifold. No introductory materials describe how the artists or the representative works were chosen or what parameters were used (what qualifies as "American" art, anyway?). The unsigned essays are too short to define an artist's place in history, and, in any case, the essays are mostly given to descriptions of the single piece at hand. Potentially one of book's best features, the cross references are treated as a half-hearted afterthought. The publisher is largely correct in dismissing these concerns, however. This work is meant as an introduction and as such gets the facts mostly right, presents mostly defensible choices, provides a sweeping scope, and brings it all in at an unbeatable price. For small and medium general collections.AEric Bryant, "Library Journal"
Copyright 1999 Reed Business Information, Inc.